Client: Stagecraft Theatre
2025
Campaign, Promotion
Stagecraft Theatre 2025 Season


Creating unity without losing individuality.
Stagecraft is a not-for-profit community theatre based in Wellington, New Zealand. For the 2025 season, Stagecraft needed an engaging and cohesive visual identity, spanning across 5 productions consisting of individual tones and audiences. This project was pro bono work and therefore done under tight timeframes.
The challenge was to create a system which would unify the plays together under one recognisable identity while maintaining the personality of each production. Each play within the set needed to attract a specific audience through communicating the tone quickly, and create unity without losing individuality.
My roles:
Leading concept development, ideation and iteration
Developing visual design system
Final campaign execution


Opportunity
Create a visual system built on layering, both conceptually and visually.
The season follows the concept of layers. Each new production of a play is a re-imagining, bringing its own layers to the original script. This concept also looks at the combination of all the different elements involved in putting a play together – directors, actors, designers.
The visual system expresses this concept through overlapping type, graphic and image elements as well as symbolic visual metaphors, which communicates the complex narratives and emotional depth of each play.
I developed a modular visual system that would scale across the full seasons designs. This involved:
Establishing a core typographic and graphic language to anchor the identity
Creating visual rules that allowed each production to express individuality within a unified framework
Designing a flexible layout system that could accommodate different show content




Outcome
This visual system established a recognisable 2025 season identity for Stagecraft, and increased visibility across all touch points with one plays entire run selling out completely. Stagecraft is a part of the creative community in Wellington, and encouraging people to come out and experience art benefits the wellbeing of the creative sector and those who are involved in it.









